플렌느 실내 디퓨저 200ml

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=1537584297

연출 미반영 요구한 연출이 프롬프트에 실리지 않았습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean woman in her early-to-mid 20s, long black wavy hair, calm and composed demeanor. 100% match.
@Image2 — the product: a glass reed diffuser bottle with orange-tinted scented oil inside, minimalist cylindrical glass jar, "FLrene" brand label printed on the front, rattan reed sticks inside, no packaging box shown. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 15 cm tall and 6 cm across, roughly 150ml — about the length of an adult palm plus a couple of centimeters, sitting comfortably in one hand. It must never look larger than her forearm.

LOCATION:
a small home entryway just inside the front door, with a low shoe shelf and a wall-mounted hook for keys near the threshold.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already cradling the glass jar in one palm, fingers loosely wrapped around its base, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. She opens straight into what she wants to say — no preamble, no greeting.
3–8s — She raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: holding the jar steady on the shoe shelf with one hand and lifting two of the rattan reed sticks out with the other, the lifted reeds held upright between her fingers before setting them back in
8–11s — The camera pushes in on the product as bringing her face slightly closer to the reed tips and drawing a light breath near them as she steps just inside the door so the result is unmistakable — it stays on it rather than cutting away.
11–15s — She lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the faint darker wet line visible near the base of the reeds where the oil has traveled up, and her visible inhale and softened expression right as she steps through the doorway She lands the closing line as she does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "문 열자마자 향이 딱 마중 나온다니까요."
3–8s — "밖에 있다가 들어왔는데, 이 냄새 맡으면 피로가 풀리는 느낌이에요."
8–11s — "스틱 끝을 보면 오일이 이만큼 올라와 있어요."
11–15s — "이거 하나로 현관 분위기가 달라져요."

PERFORMANCE:
LINE_1 — She wants to share a genuine little surprise, like she's letting the viewer in on something; delivered with a light, quick smile and a small tilt of the head toward the door.
LINE_2 — She wants the viewer to feel the relief with her; she exhales softly, shoulders dropping a little as she says it, voice softening mid-line.
LINE_3 — She wants to show, not just tell; she leans in slightly and gestures toward the reed tip with her eyes and a small nod, voice curious and pleased.
LINE_4 — She wants to leave the viewer with a settled, warm conclusion; a small satisfied nod, voice landing steady and a touch lower than the rest.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Clear cylindrical glass jar holding orange-tinted scented oil, the liquid catching light and sitting still except for a faint surface tremor when touched.
- Thin rattan reed sticks stand upright in the oil, dry and pale at the top where they have wicked oil upward, slightly darker and wet-looking near the base.
- The glass is rigid and does not flex; the reeds are stiff but can tilt slightly if nudged, never bending sharply or drooping.
- NEVER: the oil never drips, pours out, or splashes out of the jar — it stays contained, only visible rising slowly along the reed's fibers.
- Scale is fixed: about 15 cm tall and 6 cm across, roughly 150ml — about the length of an adult palm plus a couple of centimeters, sitting comfortably in one hand. It must never look larger than her forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet entryway, the soft click of the front door closing, faint rustle of the reed sticks shifting against glass as she lifts and resets them, her breath audible as she leans in, and her spoken lines carried clearly on top.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
a low shoe shelf