런웨이브 원터치 자동텐트

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=2096209720

판정 보류 CAMERA 지시는 실렸으나 폰 register 가 남아 있습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: A Korean man in his mid-to-late 20s, athletic and healthy build, short neatly groomed hair, clean and stylish casual-sporty look. 100% match.
@Image2 — the product: a dome-shaped one-touch pop-up camping tent, olive-green and gray-green fabric body with orange and navy blue accent panels, zippered entrance, single object, no visible logo emphasized. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 120 cm tall and 190 cm across at the base when popped up — roughly two and a half times the length of an open hand across its footprint. It must never look larger than a doorway.

LOCATION:
an open grassy campsite clearing beside a walking trail, with tall trees at the edges and a clear sky overhead, natural daylight throughout.

FIRST FRAME:
0.0s — a drone rising straight up from ground level until the whole campsite clearing reads below, the tiny standing dome tent visible at its center, the person centred at medium distance, already holding the collapsed tent disc against one hip with both arms, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting. Shot as: a drone rising straight up from ground level until the whole campsite clearing reads below, the tiny standing dome tent visible at its center
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: gripping the folded fabric ring with both hands and releasing the strap in one motion, letting the tent spring outward while the loose strap falls to hang against the folded pocket at its side
8–11s — The camera pushes in on the product as the dome shell springing open across the grass until its zippered entrance panel faces the camera, fully formed and standing on its own so the result is unmistakable — it stays on it rather than cutting away. Shot as: a drone circling smoothly around the tent at a low steady altitude, the dome and the man beside it passing through frame from multiple sides
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the collapsed fabric ring expanding into a full standing dome within a couple of seconds, still visibly settling as the fabric goes taut He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a drone pushing in low and level, closing the distance until it settles close on the man's face and upper body as he speaks the final line

DIALOGUE:
0–3s — "도착하자마자 눕고 싶었는데,"
3–8s — "이거 진짜 삼십 초도 안 걸렸어요."
8–11s — "혼자 폈는데 이렇게 서네요."
11–15s — "쉬는 시간 이만큼 벌었어요."

PERFORMANCE:
LINE_1 — wants to voice the tiredness of just arriving, plays it with a small sigh and a tired half-smile, shoulders dropping.
LINE_2 — wants to sell the speed as a genuine surprise, plays it with raised eyebrows and a quick glance down at the tent then back up.
LINE_3 — wants to show off the result with pride, plays it with an open-palm gesture toward the standing tent, a satisfied nod.
LINE_4 — wants to hand the payoff to the viewer, plays it with a relaxed exhale and a slight grin, settling back as if about to rest.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Dome-shaped shell built from flexible fiberglass-poled fabric, olive-green and gray-green body with orange and navy accent panels.
- Springs open into its dome shape in one continuous unfolding motion, fabric taut once expanded, poles flexing but not bending sharply.
- Zippered entrance panel moves smoothly along its track with a soft zip sound; fabric rustles lightly in wind.
- NEVER: the tent must never assemble itself from separate loose poles being inserted — it only springs open as one connected structure.
- Scale is fixed: about 120 cm tall and 190 cm across at the base when popped up — roughly two and a half times the length of an open hand across its footprint. It must never look larger than a doorway.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of an open outdoor clearing — light wind through leaves, distant birdsong, the soft snap and rustle of tent fabric unfolding, footsteps on grass, and the spoken lines carrying clearly over it all.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a drone rising straight up from ground level until the whole campsite clearing reads below, the tiny standing dome tent visible at its center Middle — a drone circling smoothly around the tent at a low steady altitude, the dome and the man beside it passing through frame from multiple sides Ending — a drone pushing in low and level, closing the distance until it settles close on the man's face and upper body as he speaks the final line These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none